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HISTORY OF FLAMENCO GUITAR 1


TEACHER PATIÑO

José Patiño González, El Maestro Patiño (Cadiz, 1829/X-1902) is considered by all as the maker of professional flamenco guitar, the father of soleá. He laid the foundation on which sits the bajañí , touch "p'abajo" final shaping and quadrature the various styles with bass and exact features, seeking to give each color style, air or character appropriate and perfecting the art of singing with the accompaniment of the magic line gave us. Patiño

Silverio form with the key partner in our first story. Is repeated in almost all the treaties that his statement was that the guitar had been only "accompanying ar pa sung" However, the data contradict the alleged stubbornness rasgueadora teacher. It is already known that there are programs which advertised performances guitar parts used by the teacher and the mandatory gift ahead.

The essential part of his career, the stress, was linked to the great Silverio Franconetti. Together they appeared in large theaters and then in the cafe singer Sevilla. Patiño pass by the cafes of turds, Tripero, to address various pictures of singing and dancing.

The Patiño flourishes in full force, has come through successive guitarists, because, as we said the venerable guitarist Mario Escudero, "the soleá not be touched without remembering still three or four notes did the teacher. "

(text taken from the book by José Manuel Gamboa "A History of Flamenco" ESPASA).